(Updated: 10 December 2008, 17:30 GMT+01:00.)
Albatross
I
"Perhaps the most baffling unanswered question in science is how the physical working of the brain gives rise to conscious awareness. There are several reasons for this question being difficult, but the most important may be that we are looking for the wrong sort of answer. Almost everyone assumes that we are trying to explain one copy of awareness in each person's brain, one observer, one subject; one consciousness. However, as William James pointed out in 1890, having one copy of awareness in a brain makes very little sense, whether in terms of logic, physics or neurology. It would make much more sense if there were lots of copies and lots of subjects, even if it seems odd. There is also a basic biological reason for there being many subjects in a brain; a brain is not a single life unit but a colony of cellular life units which are not joined together by any mysterious 'life force'.The hypothesis of Single Cell Consciousness (also known as the Single Neuron Theory of Consciousness) arose from the simple strategy of trying to find an explanation for awareness that fits with what we know about the physics of the brain. There appears to be only one option that works; that each brain cell is aware separately. Although this may seem to conflict with our experience it almost certainly does not."
Well. Now ain't that a change in perspective! As one continues to study the backgrounds to this conclusion, well delineated in the referred papers of Edwards and Sevush, one zooms in on the wave bearing properties of cell membranes, and the nature of a wave as carrier of 'rich' information, as does sound.
Thinking along these lines I, in surfing around, found another interesting li'l idea that tangents the study of consciousness, this idea I found in linguistics: on the nature of phonemes (which I'll get to in a moment, see section II below). It seems, to me, that there must be a relevance of correspondence with these simples as regards the Single Cell Stuff of Professor Edwards. In short. Is there a dynamic to the phonon that is mirrored by the phoneme? (This be but a bit of hariolatory that I wildly develop towards the end of section II below, meanwhile have a look at the nitty gritty of the actual physicalities of things, see next quote.)
Yes, before I get on to the phonemic thingy let's have a second quote from Professor Edwards, this time from the formal article, where it is explained how the elastic wave of the neuron is seen as being able to bear the characteristics of a 'phonon', a quanta of sound, as in a bell-ring. From the section, "Which indivisible perturbations might carry our consciousness?" (4):
"The hypothesis seems to make two requirements of a wave that might endow the neuronal membrane as a whole with sentience linked to behaviour. Firstly, a wave with access to information about the state at all synapses would need its wavefront (or domain of non-trivial amplitude) to occupy the whole neuronal dendritic tree. This would seem to require a reverberating wave with time to make several passes – like the resonation of the bell. In Vitiello's (2001) terms it would be a long range correlation. Secondly, to be describable as a quantised field it probably needs to be energy conserving, at least to a first approximation.
It is not clear that a purely electrical wave with these features exists. The basic Hodgkin-Huxley wave is a simple damped, dissipative biphasic packet. Fröhlich (1968) suggested an electromechanically coupled wave in which electrical and elastic potential were exchanged. He suggested that this wave might be a Bose-Einstein condensate, but this seems unlikely and is as far as I can see unnecessary. There is no doubt, however, that electromechanical coupling can occur in neuronal membranes. As shown by Iwasa et al. (1980), an action potential is associated with a mechanical wave. Petrov (1999) has shown that as polar planar liquid crystals, cell membranes generate biologically relevant voltages when flexed and vice versa. This is a form of piezoelectricity, called flexoelectricity, involving coupling of phonons to an electrical field. At least in isolated sheets of membrane modes of electromechanical perturbation can be established. Of note, there is increasing interest in electromechanical coupling as fundamental to the way cells sense their environment and respond through opening and closing ion channels (Zhang et al., 2001; Kumanovics et al., 2002). It has been suggested that this might be particularly relevant to sites of membrane curvature such as neuronal dendritic spines (Zhang et al., 2001)."
Neurons; public domain, digital enhancment by Pinkers.
II
Then I happened onto a site dedicated to the study of phonemes, the minutest coherent quanta of words, the sounds of the letters as such, a study which leads on to an idea of archetypally associated inherent meanings to these minuties, the phonemes. That site is the work of linguist Margaret Magnus (who has written a Dictionary of English Sound and works from Norway). Here's a link to, "Margo's Magical Letter Page" (5). And here's a link to Ms. Magnus dissertation "What's in a Word? Studies in Phonosemantics" (6); from here it is possible to download the whole dissertation as a pdf.
Here be an excerpt from the abstract:
"Individual phonemes and phonetic features are meaning-bearing. They each have a unique semantics which can be identified by first measuring the semantic disproportions within phonologically defined classes of words and then the converse -- measuring the phonological disproportions within semantic classes. One finds in this way that every word which contains a given phoneme bears an element of meaning which is absent in words not containing this phoneme. One finds further than the effect of the phoneme-meaning varies with the position that the phoneme bears within the syllable. In addition, one finds that all phonemes which have a common phonetic feature also have a common element of meaning."
"About 300 hours into this research, you start losing your mind. You start imagining you discern archetypes in all those consonants and vowels. (Ho, ho!) For your confoundment and entertainment, I now proffer some data on the serpent in /s/ and the Grail in /g/.In truth, I believe data of this type to be incredibly important. What it says essentially is that the consonants and vowels do in fact have a meaning. The most fundamental aspect of that meaning is pure sound without any interpretation or symbolism. That pure sound is meaningful (and how!). But one step above that most fundamental and pure sound-meaning is the archetypal meaning. Since the consonants and vowels form the foundation of the word - not only of its sound, but also of its meaning, then we literally talk in terms of archetypes. Every word is a sound - a shruti note - on which are superimposed a collection of gods whose interaction forms the basis of the word. It is really like that. It is poetic, but it is also cold, sober fact. What is added on top of that - the semantic class and the referent is secondary to sound and archetype.
And so, friends, I bid you observe how the mighty serpent abides in English S and informs every word that contains it."
"I am fairly sure that I am writing this for millions of seaparate, aware 'listeners' in your head, each one receiving a copy of your story, and its sense of identity, but completely unaware of the of the awareness of the others, each one a single nerve cell. This may sound as science fiction, and you can treat it as such if you like, but my path of enquiry over the last five years leads me to be fairly sure that each cell in your brain is aware separately and that that is the only sort of awareness you have."
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References:
1. Single-Neuron Theory of Consciousness: Steven Sevush, 2004.
http://cogprints.org/4432/
2. Single Cell Consciousness: Jonathan C.W. Edwards, 2005.
http://www.ucl.ac.uk/~regfjxe/awnew.htm
3. Is Consciousness Only a Property of Individual Cells?: Jonathan C.W. Edwards, 2005.
http://www.ucl.ac.uk/~regfjxe/aw.htm
4. Is Consciousness Only a Property of Individual Cells?: Jonathan C.W. Edwards, 2005. See the section: "Which indivisible perturbations might carry our consciousness?".
http://www.ucl.ac.uk/~regfjxe/aw.htm
5. Margos' Magical Letter Page: Margaret Magnus, 2001.
http://www.trismegistos.com/MagicalLetterPage/
6. What's in a Word? Studies in Phonosemantics: Margos' Magical Letter Page: Margaret Magnus, 2001.
http://www.trismegistos.com/Dissertation/
7. Archetypes in the Consonants: Margaret Magnus, 2001.
http://www.trismegistos.com/MagicalLetterPage/Archetypes/index.html
8. Are our Spaces Made of Words?: Jonathan C.W. Edwards, The Journal of Consciousness Studies, Vol.15, No.1, January 2008.
http://www.imprint.co.uk/jcs.html
9. How any people are there in my head? And in hers?: Jonathan C.W. Edwards, 2006, Imprint Academic, ISBN 1-84540-072-0.
http://www.imprint.co.uk/books/edwards.html
http://www.amazon.com/Many-People-There-Head-Hers/dp/1845400720/ref=sr_1_1?ie=UTF8&s=books&qid=1218043209&sr=8-1